First rule of Horrorthon is: watch horror movies. Second rule of Horrorthon is: write about it. Warn us. Tempt us. The one who watches the most movies in 31 days wins. There is no prize.
Monday, May 14, 2012
Avengers by Edward Hopper (not really)
One in a series of concept paintings from early pre-production on The Avengers. Click for a much larger view.
You can get a sense of the tremendous care and talent that went into the movie, as well as the precision with which the visual concepts were worked out far in advance by the art director and his team.
(The movie discussion should probably continue in Octopunk's post, below; I just wanted to get this image up.)
More Avengers chatter!
Sunday, May 13, 2012
Happy Mother's Day!
Box office report: 'Avengers' smashes 2nd weekend record with $103.2M, passes $1 billion worldwide

From ew [excerpt], Of course Tony Stark wasn’t satisfied with just one weekend of headlines!
After its record-demolishing $207.4 million debut last weekend, The Avengers easily stayed atop the box office in its second frame, soaring to $103.2 million (a drop of only 50 percent) over the Friday-to-Sunday period. That figure crushes the second weekend box office record, which was formerly held by Avatar with its $75.6 million sophomore frame.
Incredibly, The Avengers‘ 50 percent drop is the smallest second weekend decline of any film that achieved one of the Top 10 opening weekends of all time. Harry Potter and the Deathly Hallows – Part 2 fell by 72 percent after its $169.1 million debut. The Dark Knight dipped 53 percent after its $158.4 million start. The Hunger Games and Spider-Man 3 both sank by 62 percent after their debuts of $152.5 million and $151.1 million, respectively. Those sorts of drops are just expected when dealing with gargantuan openings like these, but Avengers started much higher and fell by much less — a clear indicator of positive audience reception.
The superhero ensemble , which has grossed $373.2 million total, also broke a slew of other records this weekend as well. Not only did The Avengers score the best second Friday ($29.1 million), Saturday ($43.1 million) and Sunday ($30.9 million) in box office history, but it became the fastest film to ever pass $300 million on Saturday, its ninth day of release (The Dark Knight accomplished this in ten days). And today, on its tenth day in domestic theaters, Avengers became the fastest film to ever pass $350 million, zooming by The Dark Knight‘s record of 14 days.
The only 2012 release that has earned more money than The Avengers is The Hunger Games, which has grossed $386.9 million after eight weekends in theaters. By this time next week, though, Avengers will have blown right by Katniss and company as it continues its ascent to at least $500 million, a milestone that is an absolute lock at this point. With remarkable word-of-mouth (it earned an “A+” CinemaScore grade), Avengers should continue to see modest drops in the weeks to come, and I won’t be one bit surprised if it marches right past the $600 million mark.
Internationally, the film continue to impress, and after 19 days, it has grossed $628.9 million. That’s far more than the international totals of its predecessors: Captain America ($192 million), Iron Man ($266.7 million), Thor ($268.3 million) and Iron Man 2 ($311.5 million). Disney estimates that today The Avengers will pass the $1 billion mark.
Friday, May 11, 2012
Avengers spoiler thread!
Don't come to the comments page unless you've seen the movie. (And click on the image above for a super-large copy of this wonderful frame of Cobie Smulders as SHIELD agent Maria Hill, surrounded by ILM goodness.)
Thursday, May 10, 2012
10 Movies That Famous People Don't Want You to See
#7.The Rolling Stones -- Cocksucker Blues (1972)

Cocksucker Blues was supposed to be a backstage documentary showing what happens behind the scenes of a Rolling Stones tour in the '70s. When the Stones saw the film, they were so outraged by it that they sued the director to stop it from being released ... despite being the ones doing most of the crazy shit in it.
Highlights include: baffling close-ups of Jagger groping himself in a bed, graphic sex scenes in unlikely places and so much drug consumption that Colombia now specifically mentions the band in their national anthem. There's even some rare footage of Keith Richards having a difficult time handling his drugs.
Jagger is also seen snorting coke backstage. We all know they did that stuff, but it's still kind of shocking to see it. It's one thing to hear your grandad saying, "Why, I used to be crazy like you kids, too!" and quite another to actually watch him get drunk and punch a hooker.
At one point, members of the entourage start having sex with groupies while the Stones watch and play percussion instruments. It's like a scene straight out of Caligula.

The production of Cocksucker Blues was rather unusual: anyone in the entourage could basically pick up a camera and just film whatever, which is why you get long sequences where it's just unknown people doing coke in a hotel room and raving nonsensically interspersed with the Stones doing press interviews, meeting Andy Warhol and Truman Capote at a party and occasionally playing rock music.

The documentary has never been officially released, and due to a court order, it can't be shown unless the director is standing in the same room. That doesn't mean he can host Rolling Stones marathons at his house every day, because the court order also specifies he can only screen the film once a year.
See the full list here

Cocksucker Blues was supposed to be a backstage documentary showing what happens behind the scenes of a Rolling Stones tour in the '70s. When the Stones saw the film, they were so outraged by it that they sued the director to stop it from being released ... despite being the ones doing most of the crazy shit in it.
Highlights include: baffling close-ups of Jagger groping himself in a bed, graphic sex scenes in unlikely places and so much drug consumption that Colombia now specifically mentions the band in their national anthem. There's even some rare footage of Keith Richards having a difficult time handling his drugs.
Jagger is also seen snorting coke backstage. We all know they did that stuff, but it's still kind of shocking to see it. It's one thing to hear your grandad saying, "Why, I used to be crazy like you kids, too!" and quite another to actually watch him get drunk and punch a hooker.
At one point, members of the entourage start having sex with groupies while the Stones watch and play percussion instruments. It's like a scene straight out of Caligula.

The production of Cocksucker Blues was rather unusual: anyone in the entourage could basically pick up a camera and just film whatever, which is why you get long sequences where it's just unknown people doing coke in a hotel room and raving nonsensically interspersed with the Stones doing press interviews, meeting Andy Warhol and Truman Capote at a party and occasionally playing rock music.

The documentary has never been officially released, and due to a court order, it can't be shown unless the director is standing in the same room. That doesn't mean he can host Rolling Stones marathons at his house every day, because the court order also specifies he can only screen the film once a year.
See the full list here
Wednesday, May 09, 2012
Vidal Sassoon died

From usatoday, Vidal Sassoon, a name forever connected with hair, has died at age 84 in Los Angeles.
Sassoon, often referred to as the "founder of hairdressing," was found dead in his Mulholland Drive home. The Los Angeles Times reports that law enforcement officials say he died of an "unspecified illness."
Sassoon was reported last year to be fighting leukemia after being diagnosed with blood cancer in 2009.
Sassoon, who started out as a shampoo boy at age 14, went on to open his first London salon in 1954 and gave Mia Farrow her famous short cut for Rosemary's Baby, was married four times.
Sassoon had four children with his second wife, actress Beverly Adams: two daughters Catya (who died after a drug overdose in 2002, and Eden, and sons Elan and David. In 1992 he married Rhonda, his fourth wife, who has been described as his "rock" through his recent illnesses.
The Avengers in high school

From worstpreviews, Walt Disney Pictures is reporting that "The Avengers" brought in an additional $28 million at the international box office yesterday and another $19 million domestically to cross the $700 million mark in just thirteen days.
The film's international box office has reached $475.8 million and the domestic total is at $226.4 million for a worldwide total of $702.2 million. "The Avengers" has already passed the total global box office totals for "Captain America: The First Avenger" ($364 million), "Thor" ($449 million), "Iron Man" ($585 million) and "Iron Man 2" ($624 million).
In addition, we have photos of "The Avengers" cast during their high-school days, including shots of Chris Evans, Robert Downey Jr, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson and Jeremy Renner. Prepare yourself for Renner's.
Happy 138th birthday, Howard Carter!

From washingtonpost, [excerpts] “Yes, wonderful things.”
Those were the reported words of Howard Carter nearly 90 years ago when the English archaeologist — asked by the Earl of Carnarvon whether he could see anything — finally cast his eyes on the tomb of Tutankhamun, and the golden objects therein.
Carter — born May 9. 1874, in London — had been searching for the burial sites of ancient pharaohs for nearly three decades when he led the discovery of the 18th-dynasty of Tutankhamun’s tomb, more than 3,000 years after the boy king was laid to rest.
Carter came to Egypt as a teenager, and was named first chief inspector of the Egyptian Antiquities Service while in his 20s, but his greatest find would elude him till November 1922, when a worker found the steps to the secret tomb.
What Carter found among those wonderful things was a remarkably intact tomb — unplundered like so many other sites in the Valley of the Kings. The Doodle suggests the sheer variety of the unearthed objects. (As an artist, Carter — the son of a painter — was also skilled at replicating these ancient artifacts.)
“In the dim light they could see the glint of gold everywhere,” wrote the New York Times in Carter’s obituary. “As the scene grew clearer, a whole roomful of objects came into view — couches, chairs, alabaster vases, chariots, a throne, stools and chests, all glistening with inlay and gold, and a sealed doorway leading still beyond. When the doorway was opened a wall of gold was revealed — the side of an immense gilt shrine shielding the sarcophagus of the buried king.”
By entering Tutankhamun’s tomb, Carter also soon entered popular culture — as his discovery minted him as a global celebrity, and his name popped up in music and, in time, on the screen. He was a real-life Indiana Jones.
Carter died in London in 1939 (of lymphoma), at age 64, his fame assured not only because of his finding the tomb, but also because Tutankhamun’s artifacts continue to hold our profound fascination and curiosity.
Not surprisingly 'Dark Shadows' sucks

From denofgeek, [excerpt] Throughout, self-awareness abounds, as flights of soap operatics and gothic camp are undercut with desperately awful pop-culture gags and straight-faced rejoinders. Whole scenes hinge on Depp’s aghast expression as he saunters through an assault course of recognisable 70s paraphernalia, from Scooby Doo and Troll dolls to Operation and lava lamps. It is culture-clash comedy at its most crass and least imaginative, full of period tunes yet lacking in bite.
There was a time when Burton specialised in characters who were out of step with the world around them, outsiders who, like Pee-wee Herman, Edward Scissorhands or Ed Wood, were both defined and enriched by their unconventional qualities. Barnabas, for all his quirks, strives for a conventional life, hoping to become human and marry Victoria (Bella Heathcote), the Collins family’s governess who may just be the reincarnation of his long lost love, Josette. ‘Family,’ he repeats at opportune moments throughout the film, ‘is the only real wealth’. For those seeking evidence that Burton, the goth auteur, has grown up and left his misfits behind, this may be final filmic nail in his cinematic coffin.
What is perplexing is that, as Burton ages, he doesn’t put away the toys of his younger days. Dark Shadows still plays with genre conventions, kooky Americana and a purple-centric production palette, but the director’s mad, inspired expressionism - his enthusiastic melange of everything from B-movie schlock to Charles Addams - has dissipated. Sure, Dark Shadows looks beautiful, as should be expected from its nine-figure budget, but it is a dull spectacle compared to cinematographer Bruno Delbonnel’s work with Jean-Pierre Jeunet on the likes of Amelie and A Very Long Engagement.
Full review here
Tuesday, May 08, 2012
Frankenstein 'Alive!' again thanks to Niles, Wrightson

From usatoday, It's not lightning and a sweet mad-scientist setup that's again giving life to Frankenstein's monster. It's the friendship of two horror gurus, writer Steve Niles and artist Bernie Wrightson.
Their new 12-issue IDW miniseries Frankenstein Alive, Alive! (arriving in comic shops Wednesday) continues the story of the famous monster from the end of Mary Shelley's classic 1818 novel — or, more fittingly, from Wrightson's seminal 1983 illustrated adaptation.
"His original Frankenstein book was something I carried around with me as a little kid that I adored," Niles says. "There's just enough of an age difference between Bernie and I that I grew up on his stuff."
Alive! begins in the early 20th century, with Dr. Victor Frankenstein's creation having made a home with a traveling circus. Niles and Wrightson then flash back to where Shelley left off decades before, with the monster near the North Pole after having stowed away on Capt. Walton's ship and vowing to kill himself.
Read the full story here
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