It should be noted that the theatrical and VOD release won't be the same version of Escape From Tomorrow that audiences, including our own Katey Rich, saw at Sundance in January. One of the criticisms the film received was in regards to its length, so Moore has recut the film and chopped out about 15 minutes. It’s currently listed as being a quick 103 minutes on IMDb, so I guess the new version will end almost precisely at the hour-and-a-half mark. I’m sure it must have been mildly heartbreaking for the director to cut the film seeing as that footage was probably incredibly hard to shoot, but still…
There's still time for the other shoe to fall in regards to this film, as Disney has yet to make any official comment on it, either negative or positive. It’s possible that set distribution plans could be what Disney's team of lawyers has been waiting for, but it's been said that the company’s name isn’t outrightly damaged during the film, as it was based on Moore’s emotional ties to the park as a child. But some people came away from Sundance saying it had an anti-Disney vibe, so maybe that will be all it takes. Regardless, insurance has been purchased, which should protect the film against liabilities.
Escape From Tomorrow follows a man (Roy Abramsohn) and his family as they spend a day at the theme park. Unfortunately, the day turns into a surrealist nightmare as the family dynamic splits and the man becomes interested in two French girls (Annet Mahendru and Danielle Safady). The park attractions and workers turn sinister, but he isn’t sure if it’s actually happening, or if he’s having a mental breakdown.
The production stories behind the film are pretty amazing, and it makes sense that a company like PDA is putting it out there, given they released the Banksy documentary Exit the Gift Shop, along with the chess doc Brooklyn Castle and Senna, the biographical documentary about the Brazilian Formula One champion Aryton Senna, widely thought to be one of the greatest, if not the greatest, race car driver of all time.
The IFC Center in New York is definitely hosting the film, while other cities will be announced. FilmBuff is putting out the VOD, which should make it available to just about everyone.