(1964) *****
“Another day to get through, better get started”
Horrorthon began as a discussion between two brothers regarding the sorry state of horror. Are there really only a handful of good horror films we asked? In a hundred years of cinema there must exist other good films beyond the Halloweens, Dawn of the Deads, and Texas Chainsaw Massacres, we reasoned. Horrorthon was designed as an archeological film dig. We agreed that once a year we would devote our time to our favorite film genre in an effort to unearth those lost film gems (lost to us at least). As we started this pursuit we quickly realized that those gems do exist, but like an archeologist, to find them you must have patience, endurance, and a hell of a lot of free time. Every year (6 and counting) I consider Horrorthon a success if I can end the month with a new film discovery or two. Thus far Horrorthon has exceeded my wildest expectations in this regard. Imagine how delighted I was to discover The Last Man on Earth. Many of you might say, “Well duh, you’ve never heard of this film?” To you I say, “Shut up jerks, I'm just a simple man, trying to make my way in the universe.” The Last Man on Earth was included in a cheap movie 50-pack that I picked up in order to increase my Horrorthon numbers. I don’t expect much from these cheap sets, but occasionally, as in this case, I discover horror gold.
Based on Richard Matheson’s "I am Legend" and later remade as "The Omega Man" starring Charlton Heston, The Last Man on Earth stars Vincent Price as Robert Morgan, a scientist who had been working on a cure for a vicious plague that eventually consumed the planet. The plague does not kill you; it just turns you into a vampire zombie. As the film begins with the above quote, we follow Robert three years after the plague hit as he goes through his daily machinations in this post-apocalyptic world. His days mostly consist of hunting down the vampire zombies, staking them, and throwing them into a giant burning cremation pit. In addition, we watch him hang garlic and mirrors on his doors as part of his anti-vampire defense. At night he sits in his barricaded fortress listening to jazz records on full blast in an effort to drown out the sounds of the undead banging on his walls and shrieking. As Robert narrates all this we can hear how weary he is of this bleak existence. This is a man who survives because of animal instinct not because he wishes to be here. Periodically we are shown flashbacks of Robert’s life before the plague took over. We see the tragedy unfold as first his daughter, and later his wife, begins to show signs of the disease. These flashbacks are powerful and add pathos to Morgan’s character. One day Robert stumbles across a woman wandering the streets. Is he truly the last man on Earth or have others been spared as well?
The Last Man on Earth is a terrific film and undoubtedly inspired Romero’s Night of the Living Dead. For a film made in 1964, this is violent, gritty, bleak stuff. I must admit that my first exposure to Vincent Price was The Brady Bunch, which, I thought, forever ruined him for me as a horror figure.
However, The Last Man on Earth changed my opinion. Price is terrific as the world-weary vampire hunter. His narration, which was silly on the Brady Bunch, is chilling here. He speaks a-matter-of-factly, without emotion. He understands his plight and he accepts it. He’s not afraid anymore nor is he really bothered by anything; he’s just trying to make it through another day. The vampire zombies are disturbing and some of them even call out his name. The ending of this film is perfect. Hooray for Horrorthon!
First rule of Horrorthon is: watch horror movies. Second rule of Horrorthon is: write about it. Warn us. Tempt us. The one who watches the most movies in 31 days wins. There is no prize.
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15 comments:
Damn! I've never heard of this. It sounds great!
Vincent Price may appear in many cheeseball venues but I've always thought of him as the real deal. I saw him lecture once when I was a kid and he was hilarious. He said he saw House of Wax one time and sat behind two teenage girls, and when the movie ended he leaned in between them and said "Did you like it?" (Of course, you have to imagine the punchline delivered in his distinctive voice.)
Oh man, I never knew you saw him speak, that's wild! What a great punchline to the story too.
The coolest person I ever saw speak was Carl Sagan.
That is cool. I'm trying to think of the coolest person I've seen speak but the only person I can think of is Carrot Top.
And he's light years from cool.
i saw the 84 presidential debates live in my hometown. reagan and mondale. i guess they're not cool either. just rich. well, reagan was rich anyway, enough for both of them.
perfect ending? did a monty python foot come crashing down on the whole scene with a blat of trumpets?
Carl Sagan rocks! I remember my mother describing him as "sexy" one time when Cosmos was on. That's the only time I remember her using that word.
They had EIGHTY-FOUR Presidential debates in your hometown? Jesus!
Vincent Price didn't truly "play himself" (or riggitey-wreck himself) until the Thriller video.
i had a vincent price moment earlier in the thon with twice told tales. in the first sketch, the character who plays his lifelong friend refers to how when he walks into the room he'd become the most fantastic thing in it. heads would turn.
what passed for handsome in the 50s blows my mind. i admire their priorities. vincent price is a slick m.f. and nobody's list of hollywood hot 50 would include him now.
paul giamatti and phillip seymour hoffman would have gotten so much play in the 50s.
I'mnotMarcbutmyboyfriendis (God I hate typing that), can you explain your reasoning? Why Giamatti and Hoffman, specifically? What puts them into the zone with Tab Hunter, Sinatra, Brando, etc.?
short answer: i don't have any reasoning. i was just typing for typing's sake. i was playing fast and loose. i'll admit.
but here's my point, paul giamatti and philip seymour hoffman are fat.
the end
Okay, fair enough.
There certainly are many "sex symbol" celebrities from various decades who prompt the same question; viz. why the hell are they "sex symbols"? I'll resist mentioning the obvious contemporary examples (Aniston) but I can think of quite a few from the past:
1940s: Mary Astor, Fred Astaire
1950s: Vincent Price
1970s: Elliot Gould, Brenda Vacarro, Suzanne Summers, Fonzie
1980s: Steve Guttenberg, Phoebe Cates
1990s: Sarah Jessica Parker (almost too easy), Paltrow
How DARE you say that about the Arthur Fonzarelli! He invented sex as we know it.
On second thought, I suppose he's not that attractive after all... Maybe I was blinded by his well placed "aaaaaaaayyyyy"s.
I just noticed JPX gave this one *****. He's stingier than any of us when it comes to doling those out, particularly with the oldies.
Yeah, Henry Winkler is unattractive. "Welcome...to the real world."
("Am I dead?" "Far from it." etc.)
Robert Altman, my favorite bitter talentless fraud, actually cast Elliot Gould as Phillip Marlowe in his remake of Raymond Chandler's "The Long Goodbye" (you know; the sexy detective role that needs a Russell Crowe or a Mickey Rourke type).
But then, Francis Coppola cast Gary Oldman as Dracula, and Sofia as Michael Corleone's "beautiful" daughter.
I forgot to mention Angelica Houston
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