(From TheWrap)
Richard D. Zanuck, the producer of "Jaws" and "Driving Miss Daisy, died Friday in Los Angeles, a spokesperson for his production company told TheWrap. He was 77.
The cause of death was a heart attack.
The son of famed 20th Century Fox head Daryl F. Zanuck, he would make his own indelible mark on the movie business by championing a then-unknown director named Steven Spielberg.
Together their adaptation of Peter Benchley's pulpy novel about a killer shark terrorizing a beach town would usher in a new era of summer blockbusters and fundamentally alter the type of movies that the industry makes. The impact of "Jaws," which at the time was the highest grossing movie of all time, can still be felt in recent tentpole hits like "The Avengers" and "Avatar," cinematic spectacles that entice audiences through a combination of special effects and easily digestible plots.
Although best known as one of the foremost movie producers in Hollywood, he would also have stints as a top executive at Warner Bros. and 20th Century Fox, where he helped oversee such classic pictures as "The Exorcist" and "The Sound of Music." As an independent producer, he remained a major boaster of top shelf directing talent. He would discover Spielberg and give him his first feature film job on 1974's "The Sugarland Express," and would go on to collaborate with the likes of Tim Burton and Ron Howard, producing such hit films as "Alice in Wonderland," "Cocoon" and "Charlie and the Chocolate Factory."
In a varied career there were also ventures into quieter dramas, such as "Driving Miss Daisy," a look at the relationship between an aging Southern dowager and her black chauffeur that won Zanuck an Oscar for Best Picture in 1989. As befitting a son of Hollywood royalty (his mother was actress Virginia Hill), Zanuck made a big splash in the movie business almost immediately after graduating from Stanford University and serving as an army lieutenant. He joined his father as a story and production assistant on two 20th Century Fox films, "Island in the Sun" and "The Sun Also Rises."
At 24, he made his debut as a full-fledged producer with the feature film "Compulsion," a dramatization of the Leopold and Loeb murder trial that won the Best Actor award at the Cannes Film Festival for the ensemble work of its stars Orson Welles, Dean Stockwell and Bradford Dillman. Just 28 years old, Zanuck was named president in charge of production of 20th Century Fox and became the then-youngest corporate head in Hollywood up to that time. He would inherit a studio still reeling from the big budget disaster of "Cleopatra," which had forced it to sell off its back lot in what is now Century City and enact major layoffs.
Salvation would come in the form of "The Sound of Music," an adaptation of the Rodgers and Hammerstein musical that won Best Picture and became one of the biggest grossing films of all time. Though the studio, like most of the other major players, struggled to adapt to shifting tastes during the 1960's, under Zanuck's leadership it produced such cultural touchstones at "Patton," "The French Connection," "Butch Cassidy" and the Sundance Kid" and "M*A*S*H."
Zanuck subsequently moved from Fox to become senior executive vice-president at Warner Bros., where he and David Brown, who would go on to become his producing partner, oversaw production of such box office hits as "Blazing Saddles." Along with David Brown, he formed Zanuck/Brown Co. in 1971, and as independent producers the pair helped create award-winning and box office hits like "The Sting" and "The Verdict."
Zanuck would go onto form his own production entity, Zanuck Company in 1988. He remained active in the movie business, producing this summer's box office misfire "Dark Shadows," an adaptation of the 1960's soap opera that failed to connect with audiences. Zanuck is survived by his wife Lili Fini Zanuck, sons Harrison and Dean and nine grandchildren.
5 comments:
Okay I have to admit I never heard of him, and as I read this there was a voice in my head saying "gosh, the son of the head of a huge Hollywood studio had a successful career in film!" But in truth the man had his name on some very impressive art.
That's so cool you watched Jaws. The first time I saw that movie was when it aired on TV, and Dad sent me to bed just as the three guys were going out to sea to chase down Bruce. I watched a bit of it from the shadows of the hallway off the living room, but I gave up before the end.
My favorite thing about Jaws will always be the setting: New England by the water in the summer in the 70s. Because those were my summers, and so much of it feels so familiar.
i never heard of him either, but there are some great movies on that list. by coincidence mr. ac and i watched "the french connection" last night (for the first time).
That's funny, I've never seen that movie either. But I've always known I was supposed to, thanks to the piece of the famous chase scene that appears in the credits to That's Hollywood.
Bring it, Tom Bosley!
aww, i used to love that's hollywood! octopunk, we both dug the french connection. gritty, tense, fine acting, and loads of great location shots especially of nyc. the early 70s vibe is pervasive, and that happens to be the nyc of my earliest memories. and yes, that chase scene is something special.
Well, it was kind of funny because we were sort of making fun of the guy's name during the credits and then this popped up. I had no idea he was involved in all this stuff either.
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